In the history of China, the Qianlong
Emperor was the greatest collector and patron of Chinese jade. The
middle of his illustrious reign and the conquest of Xinjiang marked
an important phase in the art of Mughal and Mughal-style jades. It
opened the way to increase the importation of these jades which were
also used as tribute to the emperor. He admired the fine working of
the Mughal jades, especially the thinness and translucency of the
jade itself, likening it to “the wings of a cicada”. He devoted
more than seventy poems expressing his love of the art.
Chinese jade carvers quickly learned to
emulate the Mughal-style of carving and even surpassed the original
works, producing fine cups, bowls, plates, vessels and containers
embellished with botanical patterns. The chrysanthemum and lotus were an especially popular theme.
These three lidded containers are
wonderful examples of the Mughal-style of art in China during the
latter half of the reign of the Qianlong Emperor. Perfect symmetry
is the central feature of this art.
EYE-SHAPED LIDDED CONTAINER
Period: Qing dynasty (1644 – 1911).
EYE-SHAPED LIDDED CONTAINER
Period: Qing dynasty (1644 – 1911).
Date: Late 18th century.
Medium: Nephrite jade.
Colour: Pale celadon with minor brown
markings.
Dimensions: H. 11 cm; L. 20 cm; D. 10.5 cm.
The eye-shape of the container is so symmetrical that the lid, which has a recessed edge on the inside, fits perfectly either way. The stone is highly translucent, and the floral decoration of fine curling stems of leaves and flowers covers both the lid and body. The finial is in the form of a chrysanthemum with three rows of petals. The container sits on a narrow foot rim which follows the eye-shape.
The eye-shape of the container is so symmetrical that the lid, which has a recessed edge on the inside, fits perfectly either way. The stone is highly translucent, and the floral decoration of fine curling stems of leaves and flowers covers both the lid and body. The finial is in the form of a chrysanthemum with three rows of petals. The container sits on a narrow foot rim which follows the eye-shape.
FOUR-LOBED LIDDED CONTAINER
Period: Qing dynasty (1644-1911).
Date: Late 18th century.
Medium: Nephrite jade.
Colour: Yellow with grey/brown bands.
Dimensions: H. 8.5 cm; L. & D. 11.8 cm.
The container is divided into four
lobes. Each lobe is carved with a scene in low-relief, depicting
trees, birds and animals. The lid and the edge of the container are
recessed so as to fit together. Each of the four lobes of the lid
are decorated with a framed pattern of a chrysanthemum with stems,
leaves and flower buds. The finial is formed by a chrysanthemum
carved in the shape of the container. A low foot rim forms the base.
LOBED LIDDED CONTAINER WITH HANDLES
Date: Late 18th century.
Medium: Nephrite jade.
Colour: Yellowish-green.
Dimensions: H.8.2 cm; L. 18 cm; Diameter: 12.5 cm.
The lotus is the inspiration for the
design of this beautiful container. It is made up of eight petals
which also decorate the finial, base and foot rim. Tendrils with
flowers, leaves and buds encircle the lid and body of the container.
A handle protrudes from each side, in a geometric angular shape,
topped by a ribbed platform. The inside of the bowl and the lid are
recessed so as to fit together perfectly.